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Home Su MZ-S p.I MZ-S p.II MZ-S p.III MZ-S p.IV Optio 330 p.I Optio 330 p.II Optio 330 p.III Optio 330 p.IV Optio 330 p.V Optio 230 p.I Optio 230 p.II Optio 230 p.III Optio 230 p.IV Optio 230 p.V *ist D p.I *ist D p.II *ist D p.III *ist D p.IV *ist D p.V *ist D p.VI *ist D p.VII *ist D p.VIII *ist D p.IX *ist D p.X *ist D p.XI *ist D p.XII *ist D p.XIII *ist D p.XIV K20D
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Pentax Optio 230
- In the field (2) -
Now you probably want to know how much will you loose in term of image information in
comparison with the Optio 330. Here is the direct comparison between the two cameras: same
subject, same day and time, self-timer exposure on same tripod for preventing camera
shake. Since the Optio 230 features 1600 pixels on horizontal side of the photo, while the
Optio 330 features 2048 pixels, the Optio 230 image has been enlarged 1.25X, in order to
get the same picture scale. Quite obviously, the Optio 330 shows some more detail, while
pixelation is not so different. From this point of view the Optio 330 is better, as
expected, but the Optio 230 ranks very close to it. Also, this comparison shows some
different toning in the two images, with the 230 showing some cold intonation and the 330
being a bit too much on the warm side. However, thats not a rule. Under different
circumstances the 230 will be warmer than the 330, showing that the auto white balance
software is not the same in the two cameras.
The statue of Caesar Augustus will now show us the best
surprise of the Optio 230. Do you remember the Optio 330 test, where I complained about
the blue fringes in strongly backlit situation, especially at corners? Well, the Optio 230
is far better corrected about this chromatic aberration. Thats even more surprising,
since the lens of the Optio 230 features just 6 elements, one of which is aspherical,
instead of the 7-element construction (2 aspherical) of the Optio 330. I suppose the
smaller CCD size of the Optio 230 leaves the designer more freedom for correcting
aberrations. Or maybe there is a software reason for that, since raw images as seen by the
CCD (which is an RGB pixel mosaic) are always processed before storing them in the camera.
go to part I
go to part II
go to part IV
go to part V |
Text and images are
Copyright © 2002 by Dario Bonazza
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