Home
Su
MZ-S p.I
MZ-S p.II
MZ-S p.III
MZ-S p.IV
Optio 330 p.I
Optio 330 p.II
Optio 330 p.III
Optio 330 p.IV
Optio 330 p.V
Optio 230 p.I
Optio 230 p.II
Optio 230 p.III
Optio 230 p.IV
Optio 230 p.V
*ist D p.I
*ist D p.II
*ist D p.III
*ist D p.IV
*ist D p.V
*ist D p.VI
*ist D p.VII
*ist D p.VIII
*ist D p.IX
*ist D p.X
*ist D p.XI
*ist D p.XII
*ist D p.XIII
*ist D p.XIV
K20D

Pentax MZ-S
- Exposure meter and flash pictures -

You won’t expect any surprise from this successful metering system, borrowed from previous MZ-series cameras. It features Pentax well-known 6-segment metering system, with no visible improvement in layout. However, it is possible that the software has been updated. In fact, from time to time my MZ-5 overexposed backlit pictures (only with flash on in bright sunlight). So far it hasn’t happened with the MZ-S, whose pictures were always perfectly exposed.

I shot some outdoor pictures of Lucia (the famous girl next door) in the shade against a well-lit background. It was in open shade in late afternoon, so that there were just a two step difference between the subject and the background, and a film (Provia 100F) much more tolerant than Velvia, maybe not enough for being the last word in comparing different meter readings. I should try a more difficult shot, but I have to finish this article and Spotmatic, don’t I?

I set aperture priority auto exposure at f/4.5 and tried center-weighted, spot, multi-segment and multi-segment with flash on. Center-weighted metering set 1/250 sec. and the subject resulted a bit underexposed, but not so bad. I’d say that center-weighted metering is more center weighted here than in older cameras. As expected, spot metering gave me a perfectly exposed subject (1/125 sec.) with overexposed background. Multi-segment metering set 1/180 shutter speed and the slides were acceptable. Multi-segment metering with flash on set 1/180 again and the flash fired balancing better the subject against the background.

Another set of pictures, closer to Lucia, gave different situation: 1/180 (center-weighted), 1/125 (spot), 1/90 (multi-segment), 1/180 (multi-segment with flash). The only wrong exposure is that with center-weighted metering, while all others are acceptable.

Somebody says that a professional camera shouldn’t have a built-in flash. I believe that if you want a professional camera without built-in flash, just leave your MZ-S flash retracted. Then, when you forget to bring your powerful pro flash with you, you can remember that hidden light source so handy, covering a field as wide as a 24mm lens. Yes, by shooting a white wall with 24mm lens you’ll see some vignetting (I’d say it covers well a 28mm angle). However, in practical use you don’t often shoot white walls, do you? For that reason I tried 24mm coverage in the field. Last July 1st, some AOHC members met at Camaldoli for the opening of the photo exhibition of Paolo Boccalini and Roberto Romano. There I shot some indoor pictures with Carlo’s SMC Pentax-FA* 24mm f/2 lens and MZ-S flash on. As you can see, the flash lighting is acceptable even with a 24mm focal length.

t01f16t.jpg (19545 byte)

The autofocus system and the retractable flash work very well together. I tried shooting a cat under my car in my garage at evening, in almost complete darkness. The lens didn’t hunt and the slides turned out sharp and properly exposed. Excellent!

t01f17t.jpg (12056 byte)

Then, I tried my AF500FTZ powerful flash on the MZ-S for night shots at medieval festivals in Brisighella. Perfect pictures again.

t01f18t.jpg (18835 byte)

The question

The MZ-S is a costly camera; is it worth its price? Of course, everybody has to find his/her answer. I tried to tell you my impression and highlight the many pros and the few cons of this very capable camera. I bought it.

back to overview


Text and images are Copyright © 2001-2002 by Dario Bonazza

Site Meter